curatorial

2025
  • El espacio sideral [Outer Space] as part of the series Cinema 3/99, with contributions by Gloria Vilches, Centre de Cultural Contemporània de Barcelona (CCCB), Barcelona, Spain. Including the work of Robert Verrall, Larissa Sansour, Max Fleischer, José Antonio Soria, Malena Szlam, Stan Vanderbeek, Zdeněk Miler, Virginia L. Montgomery, Michel Gondry and a commission of Olga Capdevilla and Alba Pardo.
  • Diffusion film festival, August 2025, with Faraz Faraz Anoushahpour, Scott Miller Berry and Ryan Ferko, with 8 programs including two profiles centred on the work of Lindsay McIntyre and Oraib Toukan.
  • Historias de Barro-un ritual narrativo, co-curated with Margarida Mendes, July 2-6, Casa de Lava, Tarragona, Spain. As part of Alud! #5 Inmerión Expandida Spectral with Crater Lab.
  • Woven Together: Fabrics of Survival, February 28th – March 22nd, 2025, ArtSpace TMU, Toronto. Including the work of Azadeh Monzavi, Muna Nzeribe, and Mina Keykhaei.
  • Bosque Encantado [Enchanted Forest] as part of the series Cinema 3/99,  with contributions by Gloria Vilches, Centre de Cultural Contemporània de Barcelona (CCCB), Barcelona, Spain. Including the work of Jonathan Schwartz, Ute Aurand & Detel Aurand, Dóra Keresztes, Alisi Telengut, Evelyn Lambart,  Zdeněk Miler, ICONA, Lorena Álvarez, and a commission by Xiana do Teixeiro.
2023

View of “FourMats” 2021. Memorial Art Gallery, Rochester. ©Andy Olenick, Fotowerks, Ltd.

2022
  • Un gesto, un devenir en fuga, co-curated with Florencia Mazzadi for CineMigrante Argentina. Three programs featuring the work of Ephraim Asili, Ayo Akingbade, Rhea Storr, Colectivo los Ingrávidos, Beatriz Santiago Muñoz, Filipa Cesar, and Sonia Vaz Borges. For a complete description of the program click here. 
  • Films from the Flaherty, co-programmed with Sky Hopinka, August 17, 2022 at the Museum of Modern Art
  • 67th Flaherty Seminar Continents of Drifting Clouds, co-programmed with Sky Hopinka,  June 25 – July 1, 2022 at Colgate University (Hamilton, NY) and online.
  • The Mountains Have Eyesat the Crystal Theatre in Carbondale, CO, as part of Mountain / Time at the Aspen Museum of Art.
  • Art of the Real at the Film Society of Lincoln Center, program advisor with Dennis Lim and Rachael Rakes. Programmers preview. 
  • Spotlight series. Media City Film Festival 25th Anniversary. A selection of  moving image artwork by Beatriz Santiago Muñoz, Cecilia Vicuña, Ximena Cuevas, and Tânia Dinis, part of Media City Film Festival’s 25th Anniversary virtual edition streaming online February 8 through March 1, 2022. 
  • Sky Hopinka: Memories of Movement, Memorial Art Gallery, Rochester, NY. The exhibition includes Dislocated and Ordinary featuring four titles that exemplify Hopinka’s poetic visual language. These films are a form of political affirmation of contemporary Indigeneity, and they also offer a space of encounter and inquiry for the non-Indigenous.
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View of “Memories of Movement” 2022. Memorial Art Gallery, Rochester. ©Andy Olenick, Fotowerks, Ltd.
2021
  • Fabulación de archivos. Restos de una opacidad, co-curated with Vanja Munjín Paiva y Florencia Mazzadi para CineMigrante Argentina. Seven programs featuring the work of Ismaïl  Bahri, Maddi Barber, Gabriel Herrera, Carlos María Romero, Faraz and Parastoo Anoushahpour, Ana Vaz,  Kitso Lynn Lelliott, Madeleine Hunt-Ehrlich, Suneil Sanzgiri,  Shireen Seno, Crystal Z Campbell, Anina Major, Riar Rizaldi, Andrés Janacua, Jessica Sarah Rinland, Beatriz Santiago Muñoz, Monira Al Qadiri, Deanne Bowen, Heesoo Kwon, and Thirza Cuthand. For a complete description of the films check here
  • Sky Hopinka – Una parte sin un todo, CineMigrante Argentina. 
  • Colectivo los Ingrávidos – La región más transparenteCineMigrante Argentina. 
  • Ancestralidad y Trance, collaboration with Colectivo los Ingrávidos, SPACEGallery, films by Colectivo los Ingrávidos, Stan Brakhage, Beatriz Santiago Muñoz, Teo Hernández, José Val del Omar, y Santiago Álvarez combined with spells, poems, calligrams, manifestos, and textual fragments written in Nahuatl, Spanish, English and Portuguese, by Nezahualcóyotl, Eduardo Viveiros de Castro, Beatriz Santiago Muñoz, José Val del Omar, Maya Deren, the New American Cinema, Sky Hopinka, Dziga Vertov, Glauber Rocha, and Jean Rouch.
  • Tony Cokes: Market of the Senses, Memorial Art Gallery, Rochester, NY.
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View of “Market of the Senses” 2021. Memorial Art Gallery, Rochester. ©Andy Olenick, Fotowerks, Ltd.
  • Co-curator with Tara Merenda Nelson of Poetry of the Everyday, films by Rose Lowder, Tara Merenda Nelson, Helga Fanderl, and Anne Charlotte Robertson at the Memorial Art Gallery 
  • Tara Merenda Nelson: FourMats at the Memorial Art Gallery, Rochester, NY.
FourMats installation
View of “FourMats” 2021. Memorial Art Gallery, Rochester. ©Andy Olenick, Fotowerks, Ltd.
2020
2019
  • La tierra que respira two programs including the work by Colectivo los Ingrávidos and Sky Hopinka
    • Cineteca Nacional de México, Mexico City (November 7, 2019): When you’re lost in the rain (2019) by Sky Hopinka; La región más transparente (2019) by Colectivo los Ingrávidos; I’ll Remember You as You Were, not as What You’ll Become (2016) by Sky Hopinka; Pirámide Erosionada (2019) by Colectivo los Ingrávidos; Anti-Objectos, o espacio sin camino ni límite (2017) by Sky Hopinka, 2017; Soldadera / Percusión Visual (2014) by Colectivo los Ingrávidos.
    • La Cueva (microcinema), Mexico City (November 8, 2019): Cloudless Blue Egress of Summer (2019) by Sky Hopinka; Nos han dado la tierra (2013) by Colectivo los Ingrávidos; Dislocation Blues (2017) by Sky Hopinka; Conflagración (2017) by Colectivo los Ingrávidos
  • kelli rae adams: work / study, Hartnett Gallery, Rochester, NY
  • Images that Breathe: Radical Memory in Times of Amnesia, UnionDocs, Center for Documentary Art, New York City.
  • Kalup Linzy: Conversations wit de Churen V: As da Art World Might Turn at the Memorial Art Gallery, Rochester, NY. To download the wall-text click here.
  • The Division of Love at Baltic Analog Lab in Riga, Latvia: Within capitalism the division of labour is a form of economic control that transcends all aspects of society. The films presented in “The division of Love” unearth the artificial relationship between social and economic powers. Proposing a conversation between the work of Amber Bemak and D’Angelo Madsen Minax, the program focuses on the creative process that emerges from intimate collaboration, considering Love as a sentiment that is simultaneously fulfilling, painful, and hopeless. In their films mythology, failure, performance, fantasy, queer and trans embodiment, show Love as a form of resistance that disrupts the normative order of things: Airplane Dance (2013) Amber Bemak; Because of Us (2017) D’Angelo Madsen Minax; Borderhole (2016) Amber Bemak & Nadia Granados; The Eddies (2018) D’Angelo Madsen Minax; Separation of the Earth (by Fire) (2014) D’Angelo Madsen Minax; The Source is a Hole (2017) D’Angelo Madsen Minax; and Goodbye Fantasy (2018) Amber Bemak & Nadia Granados.
  • Intimate Topographies as part of Cinema Camp, Salos manor, Lithuania: the programs proposes alternative archival practices that account for histories of queer sexuality through spatial mapping. Landscape becomes a generative tool to think through practices of queer filmmaking and to go beyond into the creation of productive imaginaries.
    • Part 1: jeny303 (2018) by Laura Huertas Millán, The Eddies (2018) by D’Angelo Madsen Minax (the filmmaker is present), Strangely Ordinary This Devotion (2017) by Dani Leventhal ReStack & Sheilah ReStack, and It is April (2017) by Rindon Johnson.
    • Part 2: Tell Me When You Die (41 min.), a trilogy by Amber Bemak and Nadia Granados.
  • Manager of exhibitions during the 65th Robert Flaherty Film Seminar curated by Shai Heredia. Colgate University, Hamilton NY
  • Curatorial assistant, Lessons of the Hour-Frederick Douglass second exhibition within the Memorial Art Gallery’s “Reflections on Place” series of media art commissions informed by the history, culture, and politics of the City of Rochester, NY
Installation view: “Lessons of the Hour—Frederick Douglass” ©Andy Olenick. Fotowerks.
2018
 
  • Curator of Weightless Presenta selection of works by Colectivo Los Ingrávidos, as part of The Alternative Film/Video film festival, Belgrade, Serbia.*Acción Cultural Española (AC/E) supported my participation in the Alternative Film/Video Festival through the Program for the Internationalization of Spanish Culture (PICE), in the framework of Mobility grants. 
  • Curator of Just Leave Me Alone, as part of the Curatorial Incubator v. 15, What the F**K?!: Video in the Age of Sublime Uncertainty, VTape, Toronto, ON
  • Guest curator of the Reapropiación/Found Footage section of ULTRAcinema 2018, Xalapa, Mexico.
  • Programming Committee member of the 53rd Media City Film Festival, Windsor-Detroit
  • Curatorial assistant and project manager for the exhibition Peter Fischli & David Weiss: The Way Things Go curated by John G. Hanhardt as part of the Media Arts Watch initiative at the Memorial Art Gallery, Rochester, NY
  • Manager of exhibitions during the 64th Robert Flaherty Film Seminar curated by Kevin Jerome Everson and Greg de Cuir Jr. Colgate University, Hamilton NY
  • Co-Curator, with Herb Shellenberger, of Common Visions, aemi, The Guesthouse, Cork, Ireland
  • Programmer of the screening The Dance of Memory / La Danza del Hipocampo (2014) by Gabriela Domínguez Ruvalcaba for the Women’s History Month Film Series 2018: Women Who Fight, The Little Theater, Rochester 
  • Co-Curator, with Herb Shellenberger, of Common Visions, Flaherty NYC series, Anthology Film Archives
    • For Life Against the War
    • Free Jazz with Bodies
    • Future in the Past
    • “Hello, You’re On Live”
    • I Do Not Remember
    • What You See is What You Get
  • Collective Programmer of Documentary Attunements, On Film screening series, University of Rochester
2017
  • Manager of exhibitions during the 63rd Robert Flaherty Film Seminar curated by Nuno Lisboa, Colgate University, Hamilton, NY
  • Collective Programmer of Immigration and DisplacementOn Film screening series, University of Rochester 
  • Co-programmer, with Deborah Stratman, of Thin Places: Works by Deborah Stratman, University of Rochester 
  • Co-Programmer of Women’s History Month Film Series 2017: Trailblazing Women, The Little Theater, Rochester 
2016
2015
2014
  • Andy Warhol’s Sexy Silent Films, screening programmed and presented by Douglas Crimp, On Film screening series, University of Rochester 
  • Programmer of the London Spanish Film Festival Short Film Section (2012-2016)
2011