Memories of Movementessay commissioned for the catalog of Sky Hopinka’s exhibition at the Poor Farm Experiment at Manawa, Wisconsin. August 3, 2019 – July, 20, 2020 (forthcoming)


On Futility for MoMA Magazine, within the collective article “Seven Ways to Re-View a Film History” by Sophie Cavoulacos. November 22, 2019.

“¿Has Visto?” essay for the video installation presented by Colectivo Los Ingrávidos at Muestra Internacional Documental de Bogotá (MIDBO), Cinemateca de Bogotá, Colombia, October 29 to November 2, 2019.

“I presens” (In Present Tense) Walden, 13/14. p. 63-67. June 2019. In Swedish.

Interview with Beatriz Santiago Muñoz for the Herb Alpert Award in the Arts, March-April, 2019.


“Weightless Present.” Program notes for my curated program of Colectivo Los Ingrávidos, as part of the 2018 Alternative Film & Video film festival in Belgrade, Serbia. December 13, 2018.

“Stillness in Motion: The Films of Alexandra Cuesta.” Program notes for the film screening of Piensa en mí (2009) and Territorio (2016), as part of the series Vertical Features at the Art Gallery of Ontario (AGO) in Toronto. November 6, 2018.

“Vdrome: Coyolxauhqui.” Introductory essay for the film screening of Coyolxauhqui by Colectivo Los Ingrávidos at Vdrome. On view from October 4-18. Published on October 4, 2018.

Immediations: The Humanitarian Impulse in Documentary (2017) by Pooja Rangan. Film Quarterly, Vol. 71, No. 3. Spring 2018. p. 197-109.

“We Remember,” essay commissioned for the exhibition belit sağ : Let Me Remember, Squeaky Wheel Film & Media Art Center, Buffalo, New York, January 2018.


“Sky Hopinka and belit sağ in conversation.” The Brooklyn Rail, November 2017.

“New York Film Festival’s Projections 2017.” MUBI, Notebook, October 2017.

“Oliver Laxe In Front and Behind the Camera.” MUBI, Notebook, September 2017.

“Ethnopoetics of Reality: The Work of Sky Hopinka.” Afterimage: The Journal of Media Arts and Cultural Criticism, Vol. 45, Nos. 2 & 3. p. 27-31. September 2017.

“Risk/Reward: International Short Film Festival Oberhausen.” The Brooklyn Rail, July/August 2017.

“Without End: Val del Omar at Anthology Film Archives.” The Brooklyn Rail, March 2017.


“Projections, New York International Film Festival, 2016.” Afterimage online, October 2016.

“Astro Noise at The Whitney Museum, New York City.” Afterimage: The Journal of Media Arts and Cultural Criticism, Vol. 43, No. 6. May/June 2016. p. 19-21.

“Invisible Participation: the Hologram Protest in Spain.” Afterimage: The Journal of Media Arts and Cultural Criticism, Vol. 43, No. 4. p. 8-11. January/February 2016.


“Esteve Riambau, Las Cosas que Hemos Visto. Welles y Falstaff. Girona: Luces de Gálibo (Gorbs Editions SL), 2015.” Journal of Film Preservation, vol 93, October 2015.

“Unfolding Perception: Materiality and Time in the work of Tara Merenda Nelson and Andy Warhol.” Afterimage: The Journal of Media Arts and Cultural Criticism, Special Issue: Visual Studies Workshop, Vol. 43, Nos. 1 & 2. p. 30-33. July/August 2015.

“Aura Satz: Eyelids Leaking Light at The George Eastman House, Rochester.” Afterimage: The Journal of Media Arts and Cultural Criticism, Vol. 42, No. 6. May/June p. 23. 2015.


Gradual Speed (Els van Riel, 2013).” Desistfilm.com. March 2014


Mónica del Raval (Francesc Betriu, 2009), En la ciudad (Cesc Gay, 2003), De nens (Joaquim Jordà, 2003), El embrujo de Shangai (Fernando Trueba, 2002) and La plaça del Diamant (Francesc Betriu, 1982), in Lorenzo J. Torres Hortelano. World Film Locations: Barcelona. Bristol: Intellect Ltd. 2013.


“The Accursed Poets: Remembering the heroes of alternative Spanish cinema.” Little White Lies Magazine, Issue 36 – “The Skin I Live In” Issue. July 2011.

Morena Clara (Florián Rey, 1936), En la ciudad (Cesc Gay, 2003), in Lorenzo J. Torres Hortelano. Directory of World Cinema: Spain. Bristol: Intellect Ltd, pp. 128-130 and 250-251. 2011.

“From Ecstasy to Rapture: 50 years of the other Spanish Cinema.” Review of the season that took place at the Tate Modern 15th-17th April 2011. Littlewhitelies.co.uk, May 25, 2011.